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By admin, on April 8th, 2025
Let’s compare the Nikon Z5 II vs Canon R8, We have compared the two best entry-level cameras on this page; the first part of the comparison is dedicated to ” Best camera for still shooters,” and the 2nd part is the “best camera for Video shooters”. Now, let’s explore the content.
Table of Contents for Photography Part
 Table of Contents: Video Capabilities Comparison
Best Camera for Photographers
Canon R8 is a lightweight full-frame camera weighing approximately 450 grams, whereas Nikon is a bit heavy in your hand with 700+ grams. But the Nikon build is more like a professional camera, not an entry-level design like we have in the Canon R8, and we have a single card slot in the Canon R8 camera. We have to add our batteries in the same card slot like we have to do in the entry-level cameras, but in the Nikon Z5 Mark 2 camera we have dedicated dual card slots and we have to insert our battery in the battery compartment. They are not mixed.
Handling and Ergonomics
Now both cameras are made by DSLR giants, great camera makers of all time, so the hand grip of both cameras and how the viewfinder is placed is very correctly done, so neither of the cameras will give you discomfort or hand pain while you are using them for a longer period of time.
Limited availability of Canon full-frame lenses in Canon RF Mount – The problem begins when you start looking for different variety of lenses as per your requirement and specific needs, then there is a huge possibility that some of the Canon lenses will ultimately go out of your budget and this may create a level of frustration that you have to deal with whenever you start searching for your favourite lenses. The big reason behind this is Canon’s RF mount restriction on their third-party lenses. And when I am creating this article, none of the third-party lens makers have started creating full-frame lenses for Canon RF Mount.
Photography Comparison
The Canon R8 camera uses a 24.5MP BSI CMOS Full-frame sensor, and the Nikon Z5 II camera uses a 24.2MP FSI CMOS Fullframe sensor. So, technically and even in samples we have seen and witnessed that the BSI CMOS sensor produces better low-light images with less noise, so if we compare both, we will see one stop of better low-light performance from Nikon Z5 II.
At the very same time, we also have some advantages associated with Canon’s sensor, Canon’s research and development team has done their task very beautifully, and despite being an FSI CMOS sensor, they have updated the bus structure inside the sensor, and the readout speed of the sensor has been upscaled to 14.5ms. Whereas the Nikon Z5 II readout speed is 22ms.
| Aspect |
Canon R8 |
Nikon Z5 II |
| Sensor Type |
24MP FSI CMOS |
24MP BSI CMOS |
| Low Light Performance |
Good, but slightly behind BSI |
 Better low light, ~1 to 2 stop advantage |
| Readout Speed |
14.5ms (faster) |
22ms (slower) |
| Sensor Optimization |
Updated bus structure for faster readout |
Standard BSI architecture |
Image Quality Test
Nikon Z5 II camera uses a full frame BSI CMOS sensor and in the low light test you can see the camera is able to extract 1 to 2 stops better performance than the Canon R8 at 102400 ISO range.
And that’s not only limited to 1 or 2 stops of updated low light performance since the camera also features sensor shift-based stabilization mechanism which is effective up to 7.5 stops, so the camera also allows you to use shutter speed at least 4 to 5 stops slower without any issues.
Nikon uses the same advanced image stabilization system that we have seen in the Nikon Zf. You can link your autofocus points with the camera’s VR, that will help you to get a true 7.5 stops of IBIS.
So if we combine all these factors—BSI CMOS sensor and 7.5 stops of sensor shift image stabilization—then the Nikon Z5 Mark II camera becomes the best camera for low light or handheld photography.
Now in the base ISO range, we can witness a very little bit of difference, but it’s still there—it exists. And the difference is the presence of optical low-pass filter inside Canon R8, and due to that, the details that we are getting, the words that we are reading, look a bit faded—only by a fraction—compared to Nikon, where we do not have any low-pass optical filter over the sensor and that’s why we are getting slightly better and clearer images.
Nikon camera not using a low-pass filter from the DSLR era, so if you want to do research, start researching entry-level DSLR models like ” Nikon D5600 without optical low filter,” and so on.
Image Stabilization
Nikon Z5 Mark II camera features 7.5 stops sensor-shift image stabilization system which helps to capture your creation with clear shots even in extreme low light environments. We also have electronic (with crop) image stabilization in video, so in video you get enhanced image stabilization support of mechanical as well as electronic.
In Canon R8, we do not have any sensor-shift image stabilization support. Yes, you can use OIS lenses which roughly work up to 4.5 stops to support your handheld shooting. In video mode, you do get EIS support with crop.
| Feature |
Nikon Z5 Mark II |
Canon EOS R8 |
| Sensor-Shift Stabilization |
Yes, 7.5 stops sensor-shift IBIS.
Allows shutter speeds 4–5 stops lower. |
 No IBIS.
Supports up to 4.5 stops via OIS lenses. |
| Video Stabilization |
Electronic IS (with crop) in video + IBIS for enhanced stabilization. |
EIS available in video (with crop). No sensor stabilization. |
| High-Resolution Mode |
Yes, 96MP Pixel Shift mode (Tripod required; processed via Nikon NX software). |
Not available. |
| Autofocus System |
273-point Hybrid AF
Supported by EXPEED 7 and AI AF (same as Nikon Z8)
Detects 9 subjects |
4897 DPAF points (1053 cross-type)
DPAF II with superior tracking from R6 Mark II lineage |
| AF Tracking |
Advanced AI-based subject detection: Humans, pets, bird eye AF, vehicles, etc. 9 Different types of subject detection. |
Fast tracking with Canon’s advanced DPAF II system.
Faster sensor readout improves response. |
| Burst Shooting (Mechanical) |
Up to 11 fps RAW and 14 FPS Jpeg (mechanical shutter)
Clean results with no rolling shutter artifacts. |
No full mechanical shutter
EFCS at 6 fps. |
| Burst Shooting (Electronic) |
Up to 30 fps Full res. (JPEG only) with electronic shutter. |
Up to 40 fps (electronic shutter)
Great for sports/action. |
Autofocus
- Nikon Z5 II: Features a total number of 273-point hybrid AF system, but now the sensor is supported by EXPEED 7 image processor loaded with the same AI AF as we have seen in Nikon Z8. Due to the AI algorithm, the camera can track and predict the movement of 9 different types of subjects, which include human face and eye, pet’s face and eye as well as it also features a dedicated bird eye AF mode for wildlife shooters.
- Canon EOS R8: Canon R6 Mark II 24mp DPAF sensor and Number of focus points, 4897; Number of cross-type focus points, 1053. Canon is working on HYBRID AF sensors and DPAF sensor tech, from the DSLR era. Their camera does have superior autofocus tracking performance without a doubt.
So either you use any of them, none of them will disappoint you, but even if some asks me about the best Camera for AF. Due to the faster readout speed of the Canon R8 sensor, the overall response time becomes fast, and in a lab environment, text Canon will show up with better tracking performance.
Burst Shooting
- Nikon Z5 II: Features continuous shooting speed up to 11fps (mechanical shutter) and 30fps (electronic shutter, JPEG only). So, images are highly usable up to 11 FPS since,e as we all know, the mechanical shutter overrides the sensor readout speed, so if ur using the camera up to 11 FPS, free from rolling shutter effect.
- Canon EOS R8: Does not have a full mechanical shutter, it’s limited to EFCS and Electronic shutter, provides max 6fps (electronic first curtain) and an impressive 40fps (electronic shutter). The higher electronic burst rate makes it superior for action and sports photography.
Sensor Shift Image Stabilization
Nikon Z5 Mark II camera features 7.5 stops sensor-shift image stabilization system, You can use shutter speed Lower up to 4-5 Stops than as per the requirement of the situation, which helps to capture your creation with clear shots even in extremely low light environments. We also have electronic (with crop) image stabilization in video, so in video you get enhanced image stabilization support of mechanical as well as electronic.
In Canon R8, we do not have any sensor-shift image stabilization support. Yes, you can use OIS lenses which roughly work up to 4.5 stops to support your handheld shooting. In video mode, you do get EIS support with crop.
High Resolution Pixel Shift Mode: It’s a part of the Nikon IBIS system, and it allows you to capture 96 Mo of High-resolution images, But you have to use tripod for this mode, and the images are later processed by Nikon NX software.
Viewfinder and Screen
- Nikon Z5 II: 3000 NITS Brightness in EVF, the 3.69 Mdot resolution, the EVF now has brightness scaled up to 3000 Nits, which helps a photographer to easily capture a shot without any screen visibility issues, which generally happens in bright sunlight, and a 3.2-inch, 2.1 M-dot fully articulated touchscreen.
- Canon EOS R8: Limited to 2.36 M-dot EVF (0.7x magnification) and a 3.0-inch, 1.62 M-dot fully articulated touchscreen.
Verdict and Conclusion / Best Camera for Photographers
For Photographers
- Action/Sports Photographers: The Canon R8 tops with 40 FPS electronic shutter and faster sensor readout speed. Also, we have to note that the R8 lacks of full mechanical shutter, and with the help of EFCS shutter, the max continuous speed we will be getting is 6 FPS. Nikon Z5 II uses a full mechanical shutter and a MAX continuous shooting speed up to 11 FPS with mechanical (RAW)and up to 30 FPS with electronic, so if ur love to have the MAX speed possible and rolling shutter effect doesn’t bother you then you should go with Canon otherwise,e with Nikon up to 14 FPS
- Landscape/Low-Light Photographers: Nikon Z5 II camera features 7.5 Stops, IBIS, and better low-light performance due to the presence of a 24 MP BSI CMOS sensor.
- Wedding/Event Photographers: The Nikon Z5 II stands out with dual card slots for backup, longer battery life, and a robust build, ensuring reliability during long events.
- Travel Photographers: The Canon EOS R8 wins with its 461g weight and compact size, and uses the OIS lens, it’s good to go like 28-70mm F2.8 OIS, but in Z5 II its 700gm camera but features IBIS, so you can pair non-IBIS lenses with ease.
Video Features Comparison Table
| Feature |
Nikon Z5 II |
Canon EOS R8 |
| Video Resolution |
4K @ 60fps (1.5x crop), 4K @ 30fps (full width) |
4K @ 60fps (1.1x cropped, 6K oversampling) |
| Slow Motion (FHD) |
Up to 120fps |
Up to 180fps |
4:2:2 10 Bit internal Recording
|
Yes |
Yes |
| Log Support |
Yes (Clog3) |
Yes (NLog) |
| Image Stabilization (Video) |
7.5 stops IBIS + EIS |
Only EIS (no IBIS) |
| Autofocus System |
273-point Hybrid AF with AI (Z8-level subject tracking incl. bird-eye AF) |
Dual Pixel CMOS AF II, 4897 AF Points, fast tracking |
| Sensor Type |
24MP BSI CMOS |
24MP FSI CMOS |
| Dynamic Range |
Up to 15.5 stops |
Around 13.7 stops |
| Waveform Monitor |
Yes |
No |
| Preloaded LUTs |
Yes (4 RED LUTs) |
No |
| Audio Support |
24-bit 4-channel (analog), 16-bit (MP4) |
16-bit only |
| Battery Life (CIPA) |
~780 shots / ~2+ hrs 4K video |
~370 shots / ~1 hr 40 mins video |
| Connectivity |
HDMI Type-A, dual 3.5mm mic/headphone jacks |
HDMI Type-A, dual 3.5mm mic/headphone jacks |
| Low-Light Suitability |
Excellent (BSI + IBIS combo) |
Moderate (no IBIS, FSI sensor) |
| Best For (Use-Case) |
Handheld vloggers, wedding cinematographers, low-light shooters |
Gimbal users, slow-mo content creators, studio talking heads |
| Lens Ecosystem |
Wide open (Z-mount + third-party support) |
RF mount (limited budget-friendly third-party options) |
Video Frame Rates
Canon R8 offers an amazing advantage over the Nikon Z5 Mark II camera in terms of video frame rates. If you compare the two, Canon is able to record 4K UHD at 60fps using 6K oversampling without crop. Nikon Z5 II does record 4K 60fps video, but with 1.5x crop.
The Canon R8’s standout feature is its slow-motion capability at 180fps in Full HD, offering more creative options for dynamic content.
So if you need uncropped 4K 60fps video from your camera, then without a doubt Canon R8 should be the choice for you.
Sensor-Shift IBIS in Video
Nikon provides sensor-shift image stabilization in video, and when you pair the Nikon camera with VR lenses it becomes more effective. EIS (Electronic Image Stabilization) option is also available which adds more stability over the mechanical IBIS.
Canon R8 remains limited to electronic stabilization in video mode, and we don’t have any mechanical sensor-shift image stabilization system inside it.
So for handheld shooting, it’s highly recommended to have a camera like the Nikon Z5 II. While in the case of Canon R8, you have to get a proper gimbal with OIS lenses.
Codecs and Color Depth
Both cameras support up to 10-bit color depth in H.265 (HEVC) and H.264 (MPEG-4 AVC) formats. But as we all know, the dynamic range of Canon’s 24-megapixel FSI CMOS sensor is limited to 13.7 stops. So it will be producing a bit limited dynamic range when compared to the 15.5 stops of Nikon Z5 II’s 24-megapixel BSI CMOS sensor.
What does it mean to you? It clearly means that you have to work under proper lighting conditions to get the maximum output from the Canon R8 camera. Other than that, for low-light environments, the Z5 II sensor is more suitable since it’s also backed by IBIS, making it more convenient for handheld recording.
Now this section will be relevant for professionals only. If you are working in color grading and love to apply RED LUTs over your footage, then Nikon Z5 II does have 4 preloaded RED LUTs inside it.
Moreover, you also get a waveform monitor instead of just a histogram monitor like we generally get in Canon R8. The waveform monitor helps us to evenly expose the entire scene more properly and accurately than the histogram.
Audio and Connectivity
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Both cameras feature dual 3.5 mm jacks — one for the microphone and the other for the headphone port for monitoring audio.
The interesting part is that the Nikon Z5 II camera now features 24-bit 4-channel audio support while recording in analog, and when you’re recording in MP4 format, you get 16-bit audio support from the camera.
In Canon R8, we only have 16-bit audio support.
Connectivity is similar, with HDMI Type-A (mini) outputs for external monitors or recorders, making both suitable for studio setups.
Battery Life and Special Features
The battery life of the Nikon is slightly longer since you are getting approximately 780 shots as per the CIPA standard. Specifically in video, we are getting 2+ hours of recording time at 4K 30fps.
In Canon R8, we have a smaller battery and compact body, so the overall recording time is approximately 1 hour and 40 minutes, due to the battery limitations.
Nikon Z5 II’s BSI CMOS sensor as well as 7.5 stops of sensor-shift image stabilization, are the two main factors that will allow you to capture crisp and clear shots in uncontrolled lighting environments.
Even if you are doing handheld shots, this camera will help you a lot more than the Canon — without a doubt.
So if you are a wedding cinematographer, think twice before investing. Not only is there no IBIS in the Canon camera, but the OIS lenses for Canon are also costly.
Suitability for Different User Types
- Content Creators: …Content creators who mostly use their camera on a gimbal and love to have a camera with higher frame rates like uncropped 4K 60fps or Full HD 180fps — especially for shooting dance videos or creating slow-motion reels — will find the Canon R8 more suitable.Pair it with a gimbal like DJI RS Mini 3 and high-quality Canon OIS prime lenses like 24mm, 35mm, and 85mm, and you’re good to go.
- Handheld Vloggers: …For handheld vloggers, we highly recommend going with the Nikon Z5 Mark II since this is the only camera that gives you mechanical image stabilization up to 7.5 stops.You will also get EIS support, which helps get clear handheld shots. This camera also features a BSI sensor that records clean video in low light.So, for handheld shooters, Nikon Z5 II is highly recommended — even if you don’t like the look of the camera, the output will speak for itself.
- Talking Head Video Creators: …Both cameras are excellent for talking-head videos since sensor-shift image stabilization is not needed in such scenarios.At the same time, when you are recording in a room, office, or studio setup with controlled lighting, the sensor type becomes less critical. All you need is a good Canon prime lens, and you’re good to go.So, if you wish to get the Canon R8, go ahead. Otherwise, the Nikon Z5 II is still an all-rounder.
- Wedding Cinematographers: ..The best camera for wedding cinematographers is the Nikon Z5 II since it offers sensor-shift image stabilization and a BSI CMOS sensor for better low-light performance.This will help ensure camera stability even when your gimbal fails or you run out of batteries. In such emergency scenarios, you can even shoot handheld.
- Reels Makers: …If you create reels and mostly use your camera on a tripod, then the Canon R8 is more recommended since it can record uncropped 4K 60fps video and Full HD video at 180fps.Technically, the R8 is faster and hence more usable for creating slow-motion sequences.But if you shoot your content handheld, then it’s highly recommended to go with the Nikon Z5 II.
Conclusion
Both cameras are excellent at their price points.
But the Nikon Z5 II has a wider approach due to the presence of a BSI CMOS sensor, sensor-shift image stabilization (IBIS) up to 7.5 stops — which can be linked with autofocus points — and, above that, we get a completely open lens mount to choose from a wide range of lenses at various price points.
The Canon R8 offers uncropped 4K 60fps video and Full HD 180fps slow motion, which is a unique offering. But it has limited dynamic range, lower low-light performance due to the FSI sensor, and the absence of sensor-shift stabilization.
So, its features — along with its limitations — make the Canon R8 ideal for a specific type of audience, but not for everyone.
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By admin, on April 7th, 2025
The DJI Inspire 3 has become the first drone to get the Netflix approval for cinematography, The DJI Inspire 3 comes with Zenmuse X9-8K Air camera, a full-frame module capable of recording up to 8 K25 CinemaDNG or 8 K75 Apple ProRes RAW.
Here are some specifications of the DJI Air 3 drone
- 8K75 Apple ProRes RAW video
- S&Q Mode: Up to full-frame 4 K120 ProRes RAW without cropping
- Dual Native ISO at full-frame 30 fps and below
- EI 800/4000 at 24 fps for film production
- EI 320/1600 above 30 fps for commercial and TV production
- 14+ stops of dynamic range for capturing rich highlights and shadows in complex lighting scenarios, and allowing for more possibilities during editing
So this is one of the best cameras for aerial imagery, According to Netflix. The cost of the drone is approximately $16,499 at the B&H Store. So, only a professional filmmaker can afford this. We do hope and expect DJI will start approving FPV drones too in near future.
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By admin, on April 6th, 2025
Finally, we have the Sony FX30 camera at its lowest price—only $1,498. So, if you are interested in content creation, weddings, and photography, or if you love having a perfect cinema camera in your hand, then this is without a doubt the best time to have the FX30 camera.
Check out the latest / Lowest price of Sony FX30 at B&H Store | Amazon.com
By admin, on April 4th, 2025
Let’s compare the Nikon Z5 II versus the Nikon Z6 II camera now. Z5 II camera was announced recently on April 2025 and features all the possible latest updates straight out from Nikon professional camera that include AI AF, that helps 9 different types of subject detection automatically and it also has a dedicated bird eye auto focus mode that even cameras like the Nikon Z6 Mark III are waiting for an update, at the time I am writing this article on April 4, 2025.
Similarly, not only are the updates limited to AI auto focus, we also have 7.5 stops of image stabilizer that can be linked to the Nikon AF points to ensure the best stability possible in this segment.
The list goes on, so let’s compare side-by-side the advantages of the new Z5 Mark II camera compared to the Z6 Mark II.
| Feature |
Nikon Z5 II |
Nikon Z6 II |
| Image Processor |
EXPEED 7 |
EXPEED 6 |
| 9 AI Subject Detection |
Yes |
No |
| Bird Eye AF |
Yes |
No |
| Human & Animal Eye AF |
Yes |
Yes |
| AF sensitivity |
– 19 Ev |
– 5 Ev |
Design and build comparisons of both the cameras
Both cameras feature a magnesium alloy body, and both of them are weather sealed, so you don’t have to worry about using them outdoors in a kind of windy or rainy situation if you are using weather-sealed lenses. Other than that, the weight and the size are approximately the same. The biggest noticeable difference when you pick both of them in your hand is the kind of display screen the cameras are using. Z5 II is using a fully articulating touch display screen that helps you to create content on the go, whereas the Z6 Mark II camera features a tilting display screen, which limits its use to photographers only.
The other noticeable difference is a bright 3.69 million dot electronic viewfinder with 3000 nits of brightness.
Build & Display Feature Comparison
| Feature |
Nikon Z5 II |
Nikon Z6 II |
| Body Material |
Magnesium Alloy |
Magnesium Alloy |
| Weather Sealed |
Yes |
Yes |
| Display Screen |
Fully Articulating Touchscreen |
Tilting Touchscreen |
| EVF |
3.69 M-dot, 3000 nits |
3.69 M-dot (no brightness spec) |
| Top LCD Display |
No |
Yes |
| Ideal For |
Hybrid creators (photo + video) |
Photographers |
But apart from the almost identical controls and ports, both of them have dual card slots. In the camera, the additional advantage we get in the Z6 Mark II is the top display screen, and in the Z5 II, we don’t have that, so that makes the design difference complete.
Overall, both cameras are highly usable for photographers, but if you are a hybrid shooter, the Nikon Z5 Mark II camera is more usable design-wise due to its fully articulating display screen.
Photography features comparison
Nikon Z5 II and Nikon Z6 Mark II feature a bit different sensor readout speed, since the Nikon Z5 Mark II camera uses the sensor from Nikon Zf whose readout speed is faster than the Nikon Z6 II camera, resulting in better images while keeping away rolling shutter effect as much as possible.
Also, the continuous shooting speed of the new Nikon Z5 II with the help of the latest EXPEED 7 image processor goes up to 14 frames per second in JPG and RAW it’s up to 11 frames per second, and with upcoming updates, the mechanical shutter will support RAW up to 14 FPS. And if you use the electronic shutter of the Nikon Z5 II camera, you will get the continuous shooting speed of 30 frames per second, which is insane when compared to the Nikon Z6 II. In the Nikon Z6 II camera, the continuous shooting speed reaches 14 frames per second in 12-bit RAW, so it is also quite usable.
Burst Shooting & Sensor Speed Comparison
| Feature |
Nikon Z5 II |
Nikon Z6 II |
| Mechanical Shutter Speed |
14 FPS with 14 Bit RAW |
14 FPS (12-bit RAW) |
| Electronic Shutter Burst |
Up to 30 FPS |
Not available |
| Sensor Readout Speed |
Faster (from Nikon Zf) 24ms |
Slower 50.8 ms |
More than these two differences, the biggest difference is due to the presence of EXPEED 7 image processor, we are getting AI autofocus inside the new Nikon Z5 II camera, and with the help of that the camera can detect 9 different types of moving subjects automatically which also includes bird eye autofocus mode, specifically for wildlife photography.
Nikon Z6 Mark II camera does detect human and animal eyes but the autofocus algorithm isn’t updated that much to support AI autofocus just like we have in Nikon Z5 II.
So for photographers it’s not only important to push or uplift the continuous shooting speed to a new benchmark, but at the very same time, it’s also very important to perfectly do subject tracking.
Now let’s talk about the sensor shift image stabilization system. The Nikon Z6 Mark II camera provides up to five stops of shutter speed compensation, whereas the new Z5 Mark II camera features 7.5 stops of shutter speed compensation with the help of new IBIS tech. Not only limited to that—with the new EXPEED 7 image processor—now you can link your VR with camera autofocusing points so you get perfect stability and true 7.5 stops of IBIS from your camera.
| Feature |
Nikon Z5 II |
Nikon Z6 II |
| IBIS (In-Body Stabilization) |
7.5 Stops |
5 Stops |
| VR Linked with AF Points |
Yes |
No |
| Pixel Shift Mode |
Yes |
No |
The expandable ISO range of both the cameras is the same—up to 204800.
ISO Range Comparison
| Feature |
Nikon Z5 II |
Nikon Z6 II |
| Native |
64,000 |
51,200 |
| ISO Range (Expanded) |
Up to 204800 |
Up to 204800 |
| Low Light Performance |
Improved with AI AF |
Good with standard AF |
The low light AF sensitivity of the Nikon Z5 Mark 2 camera is up to -19.0 EV, the camera can do pinpoint AF in nearly dark situations, whereas the Nikon Z6 II camera is limited to -5 EV.
The pixel shift mode is also now available in the Nikon Z5 II camera. With the help of this mode, you can generate 96 megapixel of high-resolution images, but you have to keep your camera still on a tripod and the images will be processed by the Nikon NX software.
Verdict / Conclusion: Best still photography camera – Nikon Z5 II
Nikon Z5 II with its vari-angle display screen and 3000 nits of brightness EVF, not only from the design part but also from its core specification where we find ZF sensor which is quite bit faster while having the readout speed of 23ms, at the very same time the camera uses brand new EXPEED 7 image processor which implements AI autofocus algorithm directly coming from Nikon Z8 and Z9, moreover this the autofocus sensitivity has been upscaled to a next level where you can detect subjects up to -19 EV which was limited to -5 EV in Nikon Z6 II and the cherry on top thing is now the sensor-shift image stabilization is up to 7.5 stops and you can also link your IBIS with camera autofocus point which is completely a brand new thing and gives super stable shot.
Nikon Z5 II has been upscaled from upside down and every single core spec has been updated and now it’s even far better than Nikon Z6 Mark 2 camera so don’t do a mistake by buying the Z6 II get Nikon Z5 II it’s far more better than the Z6 II in terms of still photography.
| Feature |
Nikon Z5 II |
Nikon Z6 II |
| Autofocus Sensitivity |
AF works in -19.0 EV low light (better for dark scenes) |
Limited to -5.0 EV AF sensitivity |
| Pixel Shift Mode |
Available (generates 96MP high-res images via software) |
Not available |
| Image Stabilization (IBIS) |
Up to 7.5 stops with AF-point linked IBIS |
Up to 5 stops, no AF-point linked IBIS |
| Image Processor |
EXPEED 7 (new, faster, supports AI algorithms from Z8/Z9) |
Dual EXPEED 6 |
| Display & EVF |
Brighter EVF with 3000 nits, possibly better display |
Standard brightness |
| Sensor Readout Speed |
23ms readout, helps reduce rolling shutter |
50 ms |
| Design & Build |
Fully refined design with improved internals |
Older design |
| Subject Detection AF |
Inherited from Z8/Z9 (advanced AI tracking) |
More basic subject tracking |
| Price-to-Performance |
More value-oriented with high-end features |
Slightly older tech for the same/lower price |
Video Core Specification
Let’s compare the video specifications of both cameras. The Nikon Z5 Mark II camera can record 4:2:2 10-bit videos, 12-bit videos, and RAW videos. Both of these are significant advantages that allow you can internally record high-quality RAW videos in the camera.
So the Nikon Z5 Mark II camera gives you the next level of colour grading experience. The audio recording also includes linear PCM at 48 kilohertz, 24-bit for any MOV formats. Also, you get 16-bit for MP4, enhancing the overall audio quality for video production.
While researching, I have found that Nikon Z6 Mark II camera also supports linear PCM and AAC, but it does not specify specifically the bit depth beyond the standard 16-bit for AAC and its internal video recording is limited to 8-bit, so in that you are not getting the quality which the recently announced Nikon Z5 II offers.
The Nikon Z5 II camera offers RAW video capability internally inside the camera. You can record N-RAW videos up to 4K 30 FPS and even 4K 60 FPS in DX mode.
Nikon Z6 Mark II camera gives you limited 8-bit recording capability, and if you want to take out RAW videos, you have to use external recorders and switch it to the HDMI port, so that’s a very messy process, and even then, you are not getting the high quality.
Comparison Table:
| Specification |
Nikon Z5 II |
Nikon Z6 II |
| Max Video Resolution |
4K UHD at 60p (APS-C crop), 4K at 30p full width |
4K UHD at 60p (DX crop), 4K at 30p full width |
| 1080p Frame Rates |
Up to 120p |
Up to 120p |
| Slow-Motion |
1080p at 30p x4, 25p x4, 24p x5 |
1080p at 30p x4, 25p x4, 24p x5 |
| File Formats |
NEV, MOV, MP4 |
MOV, MP4 |
| Video Compression |
N-RAW (12 bit), H.265/HEVC (8/10 bit), H.264 (8 bit) |
H.264 (8 bit) |
| Internal Bit Depth |
Up to 10-bit (H.265), 12-bit (N-RAW) |
8-bit |
| External Recording |
Supports 10-bit N-Log, etc. |
10-bit N-Log, HDR (HLG), RAW via HDMI |
| Audio Recording |
Linear PCM 24 bit (NEV/MOV), AAC 16 bit (MP4) |
Linear PCM, AAC (16 bit) |
| ISO Sensitivity |
100-51200, up to 204800 equivalent |
100-51200, up to 204800 equivalent |
RED Luts
|
Yes |
No |
| Waveform |
Yes |
No |
| Lossless Clear Zoom (2X) |
Yes |
No |
| RAW Video |
Internal N-RAW up to 4K 30p |
External RAW via HDMI |
| Additional Features |
Time-lapse, electronic VR, time codes, N-Log, HDR (HLG), wave-form display, etc. |
Time-lapse, electronic VR, time codes, N-Log, HDR (HLG) |
I have found that the recently announced Nikon Z5 II camera offers RED LUTs made for upscaling your overall cinematography experience to the next level. At the very same time, those LUTs are very helpful even in wedding cinematography.
Additionally, your overall cinematography experience becomes more and more enjoyable when you get the support of Nikon’s latest AI autofocus technology as well as 7.5 stops of sensor stabilization to ensure stable and smooth shots.
Overall conclusion: The best video camera is the Nikon Z5 II.
The best camera, when we compare the core specifications of both, without a doubt, is the Nikon Z5 II camera, so we highly recommend you to get the Nikon Z5 Mark II camera over the Z6 II.
Get the Nikon Z5 II camera from B&H Store | Adorama.com | Amazon.com
By admin, on April 3rd, 2025
Nikon finally announced the Nikon Z5 II camera. The camera features a major upgrade in the core specification. It now features an updated 24-megapixel full-frame CMOS sensor, paired with the Expeed 7 image processor, that we have already seen in the Nikon Zf camera.
Now, the continuous shooting speed of the Nikon Z5 II can reach up to 14 frames per second, with a mechanical shutter, and the autofocus has been upgraded with an AI AF algorithm ( coming from the Nikon Z8 camera). The camera’s continuous shooting speed can be further pushed up to 30 FPS while shooting with an electronic shutter.
Get the Nikon Z5 II camera from B&H Store | Adorama.com | Amazon.com
Nikon Z5 II major features
- 24MP BSI full-frame CMOS sensor
- In-body image stabilization, rated up to 7.5EV
- Autofocus subject detection with support for 9 subject types
- 14 fps Raw w/ mechanical shutter
- 30fps JPEG-only mode with pre-release capture
- 3.69M dot 60Hz EVF with 3000-nit peak brightness
- 4K/30 full-width, 60p w/ 1.5x crop
- 10-bit N-Log or N-Raw capture
- Dual UHS-II card slots
- Downloadable color mode presets via Imaging Cloud
The camera features 10-bit internal recording in log, and the frame rate can be boosted up to 4K 60 FPS, but in DX mode. While recording in 4K 30 FPS, there is no crop. The overall autofocus algorithm has also been optimized for video recording. Support for inbuilt 7.5 stops of sensor-shift image stabilization works very well while recording video. At the same time, you also get a vari-angle monitor to properly compose your scene according to exposure.
The Z5II will be available in April and will retail for $1699 – a $300 increase over its predecessor in absolute terms, though a very similar price when considering inflation and its greater ambitions. Kits will also be available with a 24-50mm f/4-6.3 lens for $1999, or with a 24-200mm f/4-6.3 VR for $2499.
Nikon Z5 II Official Press Release
Nikon announces the Nikon Z5II: Let full-frame be the next step in your creative journey
Amplify any Aesthetic & Unleash Your Full Creative Potential with the Most Feature-Packed Camera in its Class
MELVILLE, NY (April 3, 2025) — Today, Nikon announced the new full-frame / FX format Z5II, an entirely new generation of intermediate-level camera that miraculously manages to fit the latest high-end features into a lightweight camera body that will help kickstart any creative spark. The Nikon Z5II is the easiest way to level up a user’s captures with full-frame image quality, incredibly fast and intelligent autofocus (AF), excellent low-light performance, one-touch film-inspired color presets and the brightest viewfinder of any competing camera.1
The new Nikon Z5II uses the same high-power EXPEED 7 image processing engine as Nikon’s highest caliber professional models, the Z8 and Z9. The benefits of this processor are immediately apparent, affording incredible levels of performance and extremely fast AF with subject detection powered by deep learning (AI) technology. This highly accurate, high-speed focus is a massive leap from its predecessor, locking in at approximately one third2 the time. In addition, the new camera now utilizes a highly sensitive back-illuminated (BSI) CMOS sensor for beautiful rendering of textures and details, even in dimly lit situations such as indoors or nighttime landscapes, with minimal noise. The Z5II further fuels your creative drive with a dedicated Picture Control button and innovative tools like Imaging Recipes and Flexible Color Picture Controls, all of which help users create a truly distinctive look with unparalleled creative control of colors.
“The benefits of the Z5II go far beyond its attainable price and small size, offering users the benefits of our most advanced EXPEED 7 processing engine, a proven full-frame sensor along with unexpected pro-level features and performance” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc. “This is the camera many people have been waiting for in order to make the move to mirrorless, since nothing comes close to matching the value of features and performance in its class.”
Reliably Fast Focus and Performance
The AF on the Nikon Z5II is remarkably precise and super-fast, effortlessly locking-on and tracking a wide range of moving subjects. From fast-paced portraits or action shots, the system helps you to never miss a crucial moment, even when a subject is backlit. The cutting-edge AF system can detect up to nine types of subjects for stills and video, including people (faces, eyes, heads, and upper bodies), dogs, cats, birds, cars, motorcycles, bicycles, airplanes, and trains. But it’s not just the focus that’s fast—thanks to the next-generation processing power, the Z5II also offers high performance features from pro level Z models, to excel in any shoot.
- 3D-tracking AF mode keeps the target subject in focus even if it moves rapidly or erratically. This allows for subject tracking, even at high burst speeds, for sharp images again and again when photographing sports, animals or other fast-moving subjects.
- The first full-frame mirrorless Nikon camera with AF-A focus mode. In this mode, the camera automatically switches between AF-S and AF-C focus modes in response to subject movement or changes in composition with still shooting. This allows the camera to automatically focus on the subject, with no setting adjustments when photographing. This new feature makes it simple to photograph pets, kids or other subjects whose movements are difficult to predict.
- Fast continuous shooting speeds3 with a maximum frame rate of 14 frames per second in mechanical shutter mode and up to 15 or 30 frames per second (electronic shutter) with full autofocus.
- Pre-Release Capture4 function when shooting in C15 and C30 modes is capable of recording images buffered up to one second before the shutter-release button is fully pressed, capturing the action before a user can react.
Embrace Low Light Like Never Before
There’s no need to be afraid of the dark with the Nikon Z5II. Featuring a powerful combination of the full-frame back-illuminated CMOS sensor and the EXPEED 7 image-processing engine, the Z5II delivers the best low light ability in its class. Images and video are rendered with minimal noise, and incredible AF detection abilities in low light. Whether shooting indoors, twilight cityscapes or the night sky, the Z5II is built to help you capture confidently in nearly any light, preserving details and textures throughout the broad ISO range.
- Class-leading autofocus detection down to -10EV5 delivers accurate, reliable focus in dim and dark conditions—great for concerts, live performances, festivities, available light portraiture, astrophotography and more.
- A broad standard ISO sensitivity range of 100-64,000, expandable to Hi 1.7 (ISO 204,800 equivalent), delivers exceptional low-light capabilities and outstanding image quality with minimal noise. The max ISO is 51,200 for video recording.
- The 5-axis in-camera vibration reduction (VR) system provides superior image stabilization equivalent to a 7.5-stop6 increase in shutter speed at the center and a 6.0-stop increase at the peripheral areas of the frame. This allows users to create with confidence in lower light and get sharper results, even when handheld or at lower shutter speeds.
- Focus-point VR7 tailors stabilization to the area covered by the active AF point, for sharp rendering of the subject, even when it is positioned near the edge of the frame.
- Starlight View Mode makes focus and composition simple in extremely low light, while the Warm Color Display Mode helps preserve night vision when working in complete darkness.
- Extended shutter speeds up to 900 seconds (15 minutes) in manual exposure mode. Perfect for extreme long-exposure nightscapes and star trails.
Engineered to be Used, Made to be Loved
Shooting with the compact and lightweight Z5II is a satisfying and comfortable experience. The electronic viewfinder (EVF) is simply stunning and is 6x brighter than any competing model. At up to 3000 nits brightness, users can easily shoot even in the brightest direct sun with a perfect view of the frame, with real-time exposure information. Additionally, the rear 3.2” Vari-angle LCD touchscreen rotates freely to nearly any angle, giving full freedom of composition. Get down in the street or hold it high above everyone’s heads and still be able to accurately frame the perfect shot. The grip is deep and comfortable to minimize fatigue. Additionally, the Nikon Z5II’s front, back, and top covers are made from magnesium alloy, which delivers exceptional durability and outstanding dust-and drip-resistance.
Feel the Color with Picture Controls
The Nikon Z5II is the latest camera to support one-button access to Picture Controls, plus compatibility with the Nikon Imaging Cloud. The dedicated Picture Control button opens new possibilities for expressive color, with imaginative film-inspired looks that instantly change the color tone and color of a scene. In a single press, the user can see in real-time the effects of up to 31 built-in color presets plus Imaging Recipes downloaded by the user.
Nikon Imaging Cloud connectivity allows users to download a wide variety of free Imaging Recipes by Nikon and created by popular creators, and to apply these recipes when shooting. In addition, the Z5II supports Flexible Color Picture Control, which allows users to create their own unique color styles using Nikon’s free NX Studio software. Flexible Color allows for a wider variety of color and tone adjustments, including hue, brightness and contrast. What’s more, these settings can also be saved as Custom Picture Controls that can be imported to the Z5II for use while shooting.
Powerful Video Features for Hybrid Users
- The Z5II offers an impressive array of video features for content creators:
- Capture immensely vivid and detailed 4K/30 UHD video, with no crop. This gives creatives the ability to shoot in 4K at full-frame, with more wide-angle freedom. For higher frame rates, the camera can also capture up to 4K/60 with a 1.5x crop.
- Flexible in-camera video recording options with 12-bit N-RAW8, 10-bit H.265, and 8-bit H.264. This is the first camera to be able to record N-RAW to an SD card.
- N-Log9 tone modes offer greater flexibility for color grading. This means Z5II users also have access to the free RED LUTs, which were developed in collaboration with RED for users to enjoy cinematic looks.
- Full HD/120p for flexibility to create 5x slow motion videos in 8-bit H.264.
- Hi-Res Zoom10 uses 4K resolution to zoom up to 2X in-camera during Full HD shooting, without any loss of quality. This is useful when using prime lenses to get closer to a subject and add a dynamic look to footage.
- Product Review Mode will seamlessly switch focus between the user and any objects that they hold up to the camera. Users can even customize the size of the active AF area.
- Upgrade streaming while connected via UVC/UAC-compliant USB port, transforming the camera into a high-quality webcam for live streaming.
- The Z5II also includes ports for headphones and microphones.
Additional Features of the Nikon Z5II
- Dual SD card slots
- Bird detection mode makes it easier to detect birds in motion and in flight.
- Equipped with Nikon’s exclusive portrait functions, including Rich Tone Portrait that realizes radiant and beautiful rendering of skin textures, and Skin Softening that smooths the skin while leaving hair, eyes, and other details sharp.
- Capture high-resolution images with Pixel Shift shooting11 to portray stunning depth and rich textures, from architectural details to rocky landscapes and vibrant artwork, creating images at a staggeringly high resolution of up to approx. 96-megapixels (must be processed with free Studio NX software).
Adobe Creative Cloud Promotion
For a limited time, customers who purchase the Nikon Z5II and register their camera will also get 1 year of Lightroom + 1TB of Adobe Creative Cloud storage. For more information and terms of this promotion, please visit www.nikonusa.com.
Price and Availability
The new Nikon Z5II full-frame mirrorless camera will be available in April 2025 for a suggested retail price (SRP) of $1699.95* for the body only. Kit configurations include the NIKKOR Z 24-50mm f/4-6.3 lens for $1999.95* SRP, and the NIKKOR Z 24-200mm f/4-6.3 VR lens for $2499.95* SRP.
By admin, on April 1st, 2025
That’s a big question we are getting in the next set of every comment when we are posting comparisons related to Canon R50V.
We have to understand a basic rule that whenever a camera maker announces a specific camera, like the 50V has been announced by Canon, they generally wait for the peak sales period, which is approximately 7 to 8 months from the shipping date.
And in that specific period, they try to avoid announcing a camera in approximately the same price range, so there is very little chance that we will see Canon R10V in the year 2025. Since the shipping date of Canon R50V is April 28, and if you consider a 7 to 8 months gap, then it falls somewhere around November and December. So it is safe to assume that even if they are planning to announce a R10V, we will see it in the first quarter of 2026 or later on.
Technology Limitations
Canon’s 24-megapixel CMOS sensor, which is being used inside Canon R10, Canon R50, and Canon R50V, has been stretched to its technical limits already in the R50V.
As we all know, the Canon 24-megapixel DPAF CMOS sensor has a readout speed of somewhere around 25 milliseconds, and it’s based on FSI technology. The first threshold was already visible when the Canon R10 was announced. Due to the readout speed limitation, even in R10, we have to face a 1.5X crop in 4K 60 FPS.
In the recently announced Canon R50V camera, Canon has done everything possible to stretch the limits of the existing 24MP FSI CMOS sensor, and that’s why we are getting clog3, 10-bit internal recording at 4K 60 FPS from the existing sensor when paired up with the latest Digic X image processor.
And again, due to the readout limitation, we still have a 1.5X crop at 4K 60 FPS recording.
Now, if Canon is planning to introduce an R10V camera in near future, they have to use a new sensor, and they have no other option left since we have already seen the stretched limits of the existing 24MP FSI DPAF CMOS sensor in the R50V camera.
The Canon 32 MP sensor is more than 6 years old, a good competitor of the Sony 26 MP sensor used in ZV-E10 II, A6700, and FX30. The 32-megapixel sensor was first announced inside the Canon 90D body, which was announced back in August 2019, so it is more than 6-7 years old. While Canon R7 can record 4K 60 FPS uncropped with a line-skipping method, where there is a loss in quality, if you want to record high-quality 4K 60 FPS video, you have to face a 1.8X crop.
Canon R10V may arrive with Canon 32 MP DPAF sensor: By adopting the R7’s 32.5-megapixel sensor, Canon could position the R10V as a strong competitor to the Sony ZV-E10 II, offering uncropped 4K 60fps and a robust vlogging feature set.
Another important thing is that both Canon R7 and R10 were announced on the same day, in May 2022. So it is quite obvious that Canon will prefer a high-end body to introduce its new sensor technology into the market, which will help Canon generate more revenue. That is what every camera maker does—for example, Sony first introduced the FX30 camera with a 26MP sensor. Although the 26MP sensor has been used by Fuji for the past 2 to 3 years, that doesn’t matter in Sony’s lineup. It started with the FX30, then Sony used that sensor in the Sony A6700 camera, and later on, they finally introduced in the Sony ZV-E10 Mark II.
So as you can see, technology travels into more affordable bodies over time, but at the time of introduction, camera makers generally select a higher-end body.
Instead of refreshing Canon R10 series in Q4 of 2025 or Q1 of 2026, there is a high probability the Canon R7V or R7 Mk II with a brand new sensor capable to record 6.2k open gate will be prioritized
What’s Coming Next from Canon in the APS-C Range in 2025?
Most likely, Canon will introduce the Canon R7V / R7 Mk II camera first, even before refreshing the Canon R10 lineup
- It also aligns with an existing set of rumors [Canon upcoming cameras 2025]: As per the information we have published in the past, Canon is planning to introduce Canon R7 successor Canon R7 Mark II in Q3 or Q4 of 2025, but its inresting to see what coming first, Canon R7 MK II or R7V or both of them will arive together?
- Canon R7 Mark II, a photography-focused upgrade, and the R7V, a video-centric version tailored for videographers. Having box style design, without a mechanical shutter, 6k 60FPS, with 32-bit audio option,n and with active cooling vents will help filmmakers and cinematographers to pick a camera for professional use.
As we have already discussed above that Canon introduces their new sensor tech and capabilities in their mid-to-high-tier bodies first. So, Canon R7 or assocated series like Canon R7 Mk II / R7V is a perfect and most logical choice for such an upgrade.
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By admin, on April 1st, 2025
 Sony RX10 IV One of my fav megazoom cameras, the Sony RX10 IV has officially been discontinued. As a large-zoom fixed-lens camera in Sony’s lineup, it offered 25x optical zoom, enabling shooting needs from 24-600mm equivalent focal length, making it a top choice for many Sony users. However, this model has now been officially listed as discontinued by some Japanese e-commerce sites (although it is still in stock on overseas platforms like Amazon and B&H). According to current information, Sony has not announced any successor to this model. However, with the increasing popularity of large-zoom fixed-lens cameras from Panasonic and Nikon, whether Sony will release a new model remains to be seen. Are you looking forward to a new model in this series?
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Video Frame Rates
Sensor-Shift IBIS in Video
Codecs and Color Depth
Waveform and RED LUTs
Audio and Connectivity
Battery Life and Special Features
Low-Light Performance
Suitability for Different User Types
